 |
 |
|
|
Picking and pitching TV shows.
We simplify the process to maximize your potential to
get
your idea heard. |
|
Read more... |
|
 |
|
|
A great movie started
with a great script. Some simple points keeping the reader's
perspective in mind. |
|
Read
more... |
|
|
 |
Continued - Scripts
Points to consider from the reader's perspective.
Have a three-act structure: Where does the setup, development
and resolution start and end?
The Opening: Does the script start with a visual image?
The First 10 Pages: Do you introduce the major storytelling
points within the first 10 pages?
Plot: List the times when the story through a character's decision
or revelation takes a twist.
Subplots: How many do you have? Is the structure clear for each
one? Do your subplots add to the story? |
 |
Scene Structure: Do you have a beginning,
middle and end?
Characters: List three unique traits of each character.
Dialogue: Is your dialogue believable? When in doubt, delete
the first two words of each sentence. Make sure you can decipher
between characters who is actually speaking. If you cover the
name with your thumb and cannot tell a difference between characters,
you are in trouble.
Conflict: Two people want the same thing, but only one can have
it. List internal and external conflicts in your script.
Resolution: Does your major plot and your subplots come together
in a big finish? |
|
 |